This UofA Graduate Student focuses on the political power of shared stories, by studying ’street stories’ regarding politicians. It is really interesting commentary on how students talking to one another about the leadership of the the University, the Province, the Federal Government, can affect those bodies. The following is an excerpt from the Alberta Graduate Studies newletter, the AGC Awareness.
Rumor has it that the University of Alberta Ph.D candidate, Nduka Otiono, has piqued the curiosity of many with his unusual research interest on “street stories” which focuses on the reason people believe stories told by a friend. As Nduka describes it, “these ‘street stories’ are oral texts produced and circulated by ordinary citizens and serve as impromptu ‘mock trials’ of rulers and traducers of human rights. Coming from the context of postcolonial tyranny in Africa, these unofficial narratives open up alternative imaginaries of civic belonging, justice, and individual rights that instigates forums for communication in pubs, bus stations, around public newspaper vending stands, and other arenas of socialization in the public sphere.”
“Our desire to believe makes people believe these stories,” he says. “There are people who wish the worst for these evil politicians. They are only too happy to hear stories like that and to circulate them.”
Through his research, Nduka hopes to reveal what the less privileged think of the political elite and the impact that the channels through which they ‘speak,’ have on the government and on the public sphere. His interest in this field of research was sparked by his background in oral literature, and his experience working as a journalist for 15 years in Nigeria against the backdrop of military dictatorships. The Nigerian born writer’s roots are deeper still, having served as General Secretary of the Association of Nigerian Authors (ANA) and as a joint winner of the maiden ANA/Spectrum Fiction Prize.
So how does one so strongly embedded in the roots of Nigerian popular culture find himself in a country that provides such a contrast as Canada? Nduka explains that Canada’s anti-dictatorship stance aligned with his pro-democratic values, and that “coming to Canada was like going to meet a friend”. Nduka has also found parallels between the social context underlining his research in Nigeria and Alberta, where he observes that the devastating exploitation of oil-rich regions by multinational corporations has unleashed resistance by youths. His latest collection of poems, Love in a Time of Nightmares, has poems that reflect how much Edmonton has already captured his poetic sensibilities.
More directly, the University of Alberta, which heavily recruits superior foreign students through the support of the FS Chia Doctoral Scholarship, provided Nduka with a strong incentive to find his niche at the U of A’s Department of English and Film Studies. With a guaranteed $24 000 per year for two years plus tuition and fees, and additional funding from a combination of sources for two more years, Nduka considers himself quite fortunate. Since then, Nduka has also been awarded the Izaak Walton Killam Memorial Scholarship, the William Rea Scholarship, the Sarah Nettie Christie Research Award, and the Andrew Stewart Memorial Graduate Prize for Research. He was also a University nominee for the Trudeau Foundation Scholarship in 2007. Nduka says that the U of A not only supports him financially, but that the department also encourages him to pursue his unusual research using an interdisciplinary approach, combining oral literature with popular culture and postcolonial studies in a politically charged environment. When asked, what he would do with an Alberta PhD, Nduka professed a desire to pursue a higher academic career as a professor. “This,” he says, “appeals to my love for research, writing, teaching, and functioning as a public intellectual”.
Nduka hopes his research will empower people with the use of street stories to voice their protests against injustice. By demonstrating the value of street stories in the context of civil rights, he will prove that it is more than just rumors. “My research should be able to inspire others. It should demonstrate the possibility of using mass culture as a tool for political resistance. Society should not underestimate the strength of the people’s voice.”